Good to Be Back

Good to Be Back
Studio album by
ReleasedMay 8, 1989[1]
Studio
GenreR&B
Length46:34
Label
Producer
Natalie Cole chronology
The Natalie Cole Collection
(1987)
Good to Be Back
(1989)
Unforgettable... with Love
(1991)
Professional ratings
Review scores
SourceRating
AllMusic[2]
Hi-Fi News & Record ReviewA:1[3]
Number One[4]
Record Mirror[5]

Good to Be Back is the twelfth studio album by American singer Natalie Cole. Released in May 1989 by EMI USA, it contains the hit singles "Miss You Like Crazy" and "I Do".

Reception

The first single "Miss You Like Crazy" peaked at number 7 on the US Billboard Hot 100 and topped the Adult Contemporary and Hot R&B Songs charts in 1989.[6] It reached number 2 on the UK Singles Chart, becoming her biggest chart hit single there, and number 13 in the Netherlands.[7] The single "I Do" with Freddie Jackson hit the top 10 on US R&B Songs and the top 20 on US Dance Songs chart. The album's third and fourth singles were "The Rest of the Night" (UK #56) and "Starting Over Again" (#5 on US Adult Contemporary and #56 in the UK).[7]

Track listing

No.TitleWriter(s)Producer(s)Length
1."Safe"
  • Dennis Lambert
3:46
2."As a Matter of Fact"
  • André Fischer
3:57
3."The Rest of the Night"
  • Lambert
4:33
4."Miss You Like Crazy"
  • Masser
3:53
5."I Do" (duet with Freddie Jackson)Frank Wildhorn3:56
6."Good to Be Back"
  • Pam Reswick
  • Steve Werfel
  • Lambert
4:19
7."Gonna Make You Mine"
  • Fischer
4:34
8."Starting Over Again"
  • Masser
4:13
9."Don't Mention My Heartache"
  • Clydene Jackson
  • Catherine Wilmore
  • Lee Curreri
4:44
10."I Can't Cry"4:17
11."Someone's Rockin' My Dreamboat"
  • Eddie Cole
4:05
Total length:46:34

1990 UK & Europe reissue includes "Wild Women Do" (Power Mix with Rap) as Track 1 (12 tracks total) from the original motion picture soundtrack Pretty Woman.[8] Written by Greg Prestopino, Sam Lorber and Matthew Wilder and produced by André Fischer.
The LP track length (4:18) and CD track length (4:29). The track was also noted to have been produced in 1990 rather than 1989 so this was probably a later issue of the album as the copyright notice was for 1990. The song is not listed on various 1991 USA reissues for this album in either Allmusic or Discogs listings, but had been released in various mixes on 7", 12" vinyl and CD singles in 1990.[9]

Personnel

Musicians

Music arrangements

  • Claude Gaudette – arrangements (1, 3, 6)
  • Natalie Cole – vocal arrangements (1, 3, 6)
  • Dennis Lambert – vocal arrangements (1, 3, 6)
  • Don Boyette – arrangements (2)
  • André Fischer – arrangements (2)
  • Robbie Buchanan – rhythm track arrangements (4, 8), string arrangements (8)
  • Penny Ford – vocal arrangements (7)
  • Michael Masser – rhythm arrangements (8), string arrangements (8)
  • Lee Curreri – arrangements (9)
  • Steve Skinner – arrangements (10)
  • Rich Tancredi – arrangements (10)
  • Ric Wake – arrangements (10)
  • Eddie Cole – arrangements (11)
  • David Joyce – arrangements (11)

Background vocalists

  • Eddie Cole – backing vocals (1)
  • Natalie Cole – backing vocals (1–3, 6, 7, 9)
  • David Joyce – backing vocals (1)
  • Katrina Perkins – backing vocals (1, 7)
  • Sandra Simmons – backing vocals (1)
  • Freddie Jackson – vocals (5)
  • Jamillah Muhammad – backing vocals (10)
  • Shelly Peiken – backing vocals (10)
  • Billy T. Scott – backing vocals (10)

Production

  • Dan Cleary – executive producer, management
  • Natalie Cole – executive producer
  • Dennis Lambert – producer (1, 3, 6)
  • André Fischer – producer (2, 7)
  • Don Boyette – associate producer (2)
  • Michael Masser – producer (4, 8)
  • Narada Michael Walden – producer (5)
  • Roman Johnson – associate producer (7)
  • Lee Curreri – producer (9)
  • Ric Wake – producer (10)
  • Eddie Cole – producer (11)
  • Steve James – production coordinator (4, 8)
  • Henry Marquez – art direction
  • LuAnn Graffeo – design
  • Matthew Rolston – photography
  • Cecile Parker – stylist
  • Tara Posey – make-up
  • Janet Sims Zeitoun – hair

Technical credits

  • Bernie Grundman – assembling and mastering at Bernie Grundman Mastering (Hollywood, California)
  • Doug Rider – recording (1, 3, 6)
  • Mick Guzauski – recording (2, 7), mixing (2, 7, 9, 11)
  • Richard McKernan – recording (2, 7), assistant engineer (3, 6)
  • André Fischer – mixing (2, 9, 11)
  • Calvin Harris – recording (4, 8), mixing (4, 8)
  • Russ Terrana – engineer (4)
  • David Frazer – recording (5), mixing (5)
  • John Carter – engineer (9)
  • Jimmy Hoyson – engineer (9), assistant engineer (9)
  • John Beverly Jones – engineer (9)
  • Rick McCormick – engineer (9)
  • Bob Cadway – recording (10), mixing (10)
  • Craig Burbidge – engineer (11)
  • Eddie Cole – mixing (11)
  • Dave Bianco – additional recording (1, 3, 6)
  • Brian Malouf – additional recording (1, 6), mixing (1, 3, 6)
  • Gabe Veltri – additional recording (1, 3, 6)
  • Claudio Ordenas – assistant engineer (3, 6)
  • Jeff Poe – assistant engineer (3, 6)
  • Toby Wright – assistant engineer (3, 6)
  • Steve James – assistant engineer (4, 8)
  • Dana Jon Chappelle – assistant engineer (5)
  • Rick Butz – assistant engineer (7)
  • Jim McCaan – assistant engineer (7)
  • Marnie Riley – assistant engineer (7)
  • Bill Dooley – assistant engineer (8)
  • Mark Hagen – assistant engineer (8)
  • Joe Schiff – assistant engineer (8)
  • Paul Wertheimer – assistant engineer (8)
  • Chris Fuhrman – assistant engineer (9)
  • Craig Johnson – assistant engineer (9)

Singles

  • "Miss You Like Crazy" – Released: March 15, 1989
  • "I Do" (duet with Freddie Jackson) – Released: June 10, 1989
  • "The Rest of the Night" – Released: September 4, 1989
  • "As A Matter Of Fact" – Released: October 30, 1989
  • "Good to Be Back" – Released: November 26, 1989
  • "Starting Over Again" – Released: January 1, 1990
  • "Wild Women Do" (Power Mix with Rap) – Released: 1990

Charts

Chart (1989) Peak
position
Australian Albums (ARIA)[10] 87
UK Albums (OCC)[11] 10
US Billboard 200[12] 59
US Top R&B/Hip-Hop Albums (Billboard)[13] 21

Certifications

Region Certification Certified units/sales
United Kingdom (BPI)[14] Gold 100,000^

^ Shipments figures based on certification alone.

References

  1. ^ "BPI".
  2. ^ AllMusic review
  3. ^ "Review: Natalie Cole — Good to Be Back" (PDF). Hi-Fi News & Record Review (magazine). Vol. 34, no. 8. Croydon: Link House Magazines Ltd. August 1989. p. 113. ISSN 0142-6230. Archived from the original (PDF) on September 2, 2021. Retrieved September 2, 2021 – via World Radio History.
  4. ^ Irwin, Colin (May 17, 1989). "Albums". Number One. p. 43. Retrieved March 12, 2023.
  5. ^ Masters, Steve (May 13, 1989). "Review: Natalie Cole — Good to Be Back" (PDF). Record Mirror. London: Spotlight Publications Ltd. p. 32. ISSN 0144-5804. Archived from the original (PDF) on October 6, 2021. Retrieved January 27, 2022 – via World Radio History.
  6. ^ ""Miss You Like Crazy" entry at billboard.com, Billboard Hot 100 Tracks". Retrieved August 16, 2009.
  7. ^ a b "Natalie Cole" at Official Charts.
  8. ^ "Natalie Cole - Good to be Back". Discogs.
  9. ^ Wild Women Do (7-inch Vinyl Single). Natalie Cole. UK: EMI USA. 1990. MTX-81.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ "Natalie Cole ARIA Chart history (1988 to 2024)". ARIA. Retrieved July 28, 2024 – via Imgur.com. N.B. The High Point number in the NAT column represents the release's peak on the national chart.
  11. ^ "Official Albums Chart on 14/5/1985 – Top 100". Official Charts Company. Retrieved May 8, 2021.
  12. ^ "Natalie Cole Chart History (Billboard 200)". Billboard. Retrieved May 8, 2021.
  13. ^ "Natalie Cole Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved May 8, 2021.
  14. ^ "British album certifications – Natalie Cole – Good to Be Back". British Phonographic Industry. Retrieved January 13, 2023. Select albums in the Formats field. Type Good to Be Back Natalie Cole in the "Search:" field.